Jesse Meyer, upstate New York parchment maker, presented his work to the Alabama Book Arts students. He describes the process of vellum making. The skins are used in bookbinding, printing, and book conservation. Music by Ichiro Nakagawa.
UA Book Arts faculty and students worked in Cuba November 11-20, 2005 with artists and papermakers on a handmade book project. From printing to bookbinding to discovering Havana this series explores our experience, beginning at the Miami airport. This fir
Sleepily driving the van on the way back from taking people to the Birmingham airport, Steve Miller thinks about the Book Arts Educators meeting held at The University of Alabama from January 13-14, 2006.
Barbara Tetenbaum, director of the Book Arts Program at Oregon College of Art and Craft, speaks about early influences and what inspires her work in this interview with Claudia Hamilton.
Betsy Davids of Rebis Press speaks with Terry Chouinard about Book Arts in the 70s, and the alternative materiality of her early books. “More of us should be writing about what we do in the ways that *we* think about it–our own critical language.”
